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Our Next Event

Milonga Falucho/Chelsea on March 17 has been cancelled due to the COVID-19 crisis. "The Meaning of Tango" looks forward to returning on a future date. Check back for updates.



Comments

  1. Hi Renee, I'm looking for a way to contact you book a table for Milonga Falucho on March 17, 2020, and found this blog. Please let me know what's a better way to communicate! Thank you!

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    Replies
    1. This is John responding. Renée takes reservations at renee.rouger@gmail.com or by Facebook messenger if you are connected with her there.

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Se dice de mí

Although written for the Uruguayan singer Carlos Roldán in 1943, Tita Merello made Se dice de mí  her own in 1954, and it has been sung by women ever since. At Milonga Falucho at Café Argentino in Brooklyn, Renée mimed the lyrics as John recited his English translation of the version made famous by Merello. It was the first milonga in this series. Live music for the evening was provided by Emiliano Messiez (piano) and Adolfo Trepiana (bandoneón).

Se dice de mí (1943) Milona
Letra de Ivo Pelay Música de Francisco Canaro

They Say This of Me (1943) Milonga
Lyrics by Ivo Pelay, trans. J. Osburn Music by Francisco Canaro
Se dice de mí... se dice de mí... se dice de mí... Se dice que soy fiera, que camino a lo malevo, que soy chueca y que me muevo con un aire compadrón, que parezco Leguisamo, mi nariz es puntiaguda, la figura no me ayuda y mi boca es un buzón.
They say this of me… They say this of me… They say this of me… They say that I’m a beast, that I swagger like a tough, that I strut like I’m hot stuff wit…

Gitana rusa

This is a different sort of tango. Although the themes of love and loss are familiar, the Slavic style and setting are unusual and the narrator's relationship to the woman he addresses is enigmatic. The music and the lyric have a murky provenance; it may originally have been composed under the title "Tus ojos" ("Your Eyes") by Severio Sadán in the Ukraine in honor of his unseen daughter-in-law in Buenos Aires, then modified by orchestra leader Juan Sánchez Gorio, who registered it in his name and asked Horacio Sanguimetti to write the words with which we are familiar. More of this tenuous history may be read here. In the event, Renée and José Luis Lavayen taught the pre-milonga class, and live music was enjoyed from Maricio Najt (piano) and Javier Sánchez (bandoneón).

Gitana rusa (1942) Letra de Horacio Sanguimetti Música de Juan Sánchez Gorio
Russian Gypsy (1942) Lyrics by Horacio Sanguimetti, trans. J. Osburn Music by Juan Sánchez Gorio
Pintó tus ojos
el azabach…

Bailarín compadrito

In the human comedy of tango, the compradito is a mythic figure, a sort of urban gaucho with a swaggering attitude, done up in a looped scarf and a slouched hat that mimicks upper class style and taunts its values. He's a stock character in tango shows and artistic depictions, and perhaps he resembles some types we see on our own dance floors. In dancing the song, one might take on or resist the persona. The composer-lyricist Miguel Eusebio Bucino was himself a dancer and bandoneón player who debuted at Teatro Maipu and performed internationally. DJ Carlos Quiroga played de Angelis's rousing version at Falucho/Chelsea following John and Renée's recitation.

Bailarín compadrito (1929) Letra y música de Miguel Eusebio Bucino

Upstart Dancer (1929) Lyrics & Music by Miguel Eusebio Bucino, trans. J. Osburn Vestido como un dandy, peinao a la gomina
y dueño de una mina más linda que una flor,
bailas en la milonga con aire de importancia,
luciendo la elegancia y haci…